From icy art house to frothy new comedy ‘The Crime Is Mine’, the prolific star says no role is too much
She portrayed a queen on the eve of her execution in Robert Wilson’s demanding production at London’s Barbican
The actress is strangely cast as a trade unionist and whistleblower working for a French nuclear power giant
Letter signed by 100 French women has prompted outrage on both sides of the Atlantic
Who gave a giant tip? Who had 12 courses? Who admired the ‘brutality’ of Game of Thrones? Have lunch again with Ecclestone, Huppert and Mantel . . .
The director’s sloppy satire-tragedy is awash with despair
Anne Fontaine’s film is set in a cruelly homophobic small town in rural France
The arthouse star on politics, people-watching and why she has ‘unlimited self-confidence’
Europe’s old certainties are crumbling in Michael Haneke’s complex film
Paul Verhoeven stress-tests political correctness by blending rape and blithe amorality
A long-divorced couple receive a posthumous letter from their son in a drama of faith and family
Isabelle Huppert is a philosophy teacher in this touching portrait of loneliness and self-belief
Gérard Depardieu and Isabelle Huppert wander Death Valley in this strange movie
This triptych of plays is opaque rather than illuminating — but Isabelle Huppert is magnificent
The British director scoops the top prize for ‘I, Daniel Blake’
The French excels in a production that pulls together three versions of the Greek myth
Nigel Andrews reports on the surprise Palme d’Or recipient and wraps up the final films shown
Two films with a Moroccan flavour proved fitting highlights of this year’s inclusive festival
Cate Blanchett and Isabelle Huppert embrace the cheap vulgarity in Genet’s revenge fantasy
This starkly beautiful account of a young woman coerced into a convent is adapted from Diderot’s epistolary novel
Director Luc Bondy struggles to harness the starry talents of Isabelle Huppert and Louis Garrel
Guillaume Nicloux directs a powerful, strongly acted film of Diderot’s novel
Butchered by an impatient studio and panned on its release in 1980, ‘Heaven’s Gate’ is back as director Michael Cimino intended
A round-up of the week’s cinema releases
Pedro Almodóvar’s airborne comedy; smart young director Adam Leon’s shaggy Bronx movie; a sentimental simian documentary; and more